#HELP WITH SLATE DIGITAL VMR SOFTWARE#

Additionally, a high-pass filter allows you to scoop out bass frequencies up to 300 Hz, and you can also modify gain structure. The FG-N is based on the classic Neve 1073 EQ and provides low- and high-shelf bands with +/-16 dB of boost or cut, and Neve's original single mid-band bell design is doubled to provide two layers of EQ shaping between 360 Hz and 7.2 kHz. Though the names don't say so explicitly, the design, feature-sets and sound of these modules will be familiar to those who are interested in classic effects processors and analogue outboard gear.

But don't let that fool you into thinking that it doesn't take signal processing extremely seriously. Indeed, the VMR concept is simple, quick and easy to use. You'll find lots of presets for each module, too, but since none feature an overwhelming array of parameters, it's much more interesting to build treatments of your own. You can use the same module several times in a single rack. An A/B comparison option is also available. You can reorder them by dragging, and each rack slot features solo and power bypass options. From here they can be double-clicked or dragged into the rack to the right.

#HELP WITH SLATE DIGITAL VMR SOFTWARE#

The mix rack concept is simple-once you've downloaded and authorised the software (which requires an iLok 2 dongle), you'll find the modules listed down the left side of the interface. There is little doubt that further titles will follow, but the currently available modules are named FG-N, FG-S, FG-116, FG-401 and Revival, which we'll come to a little later. From a design standpoint, it echoes the popular 500 series lunchbox effects suites and, for now, the modular plug-in can host to up to five separate processors.

Slate Digital's latest release is the Virtual Mix Rack, or VMR.

Help with slate digital vmr